|
|
Blog Archive
|
Situs Favorit
|
Kategori
|
Last tracks by Kunderemp
|
http://www.ign.com/videos/2012/01/19/exclusive-clip-the-raid
Akan beredar di Indonesia (dan negara lain) pada akhir Maret (atau awal April). Semoga LSF tidak menyensor satupun adegan di sini.
Akang Sunarya adalah satpam teladan. Di tengah-tengah rasa kalut dan kaget, reaksinya sebagai penjaga keamanan tepat, melumpuhkan ancaman keamanan sesegera mungkin.
Haruskah dedikasinya menyebabkan ia dituntut secara hukum oleh mahasiswi bengal tak tahu aturan?
Hak jawab mahasiswi:
http://megavandjabir.blogspot.com/2011/12/suster-ngesot-moral-duty-requires-me-to.html
Dengan Penuh Syukur kami akan menyelenggarakan Event @KARNAVAL 17 Tahun Sanggar Anak Akar pada 19-22 November 2011 di TIM.
Adapun acara2nya sebagai berikut:
1. Karnaval Topeng dan Kostum Anak (Rute : Tugu Proklamasi-TIM), 19 Nov 2011
2. Pameran Karya Komunitas dan CSR, 19-21 Nov 2011
3. Festival Perkusi, 19-20 Nov 2011
4. Festival Film Anak, 20-21 Nov 2011
5. Konser Teater Musical "Lentera Rumah Kita", 20-22 Nov 2011
6. Bazaar kuliner, 19-21 Nov 2011
7. Workshop permainan tradisional, 19-21 Nov 2011
dan masih banyak lagi :)
Untuk itu, kami sangat mengharapkan dukungan para Sahabat Akar dalam bentuk apapun. Informasi hub : 857 4923 , Saneri/Shere 0857 1021 0880.
I heard about this movie from my FB friend, UdehNans. Udeh, is a stuntman and you can see him started in January next year in the hallway scene from one of the most anticipated Indonesian movie, THE RAID.
Yes, that was him, stabbed by Iko using knife. Fu fu fu fu fu..
Aku Cinta Batik (I Love Batik) was an idealistic project, made for final project of Udeh Nans' friend.
Aku Cinta Batik was directed by Versy Catur Nova also written by her. The theme was 'Batik', the Indonesian art of wax painting.
The story itself was simple. The main character, Vava (played by UdehNans the stuntman), fell in love with Ratri (played by Bimbi) the daughter of Batik merchant. To show his love of Ratry, he wore Batik to every place.
Did I tell you that 'Aku Cinta Batik' was an action movie? Because this independent movie had shown that an action movie doesn't have to be a revenge movie. The action could be triggered by something simple like, the jealousy, the immature act of someone. In this movie, the action was triggered by the act of Radit, whose jealousy insulted Batik, told the main character that he used Batik to mop the floor.
I believe, most of actors here never be in a movie, less to say an action movie, of course with the exception being the main actor himself, Udeh, who have been in various Indonesian TV series and now he would also appeared in cinemas. Since the review was asked by Udeh itself and the movie was an action movie, I will focus the review on the action itself.
The Story
The story, while it contained message to raise Indonesian audience awareness to Batik, it was simple enough to drive the action scene. You wouldn't be bored by the story.
The Action
I believe most of the actor here never been in action movie except Udeh himself. Surprisingly, they came up with a good sequence of scenes and it really gave a good time for Udeh to show off his capability from jumping the building,
to do acrobat to avoid motor cycle,
or to tell audience that the main actor, Udeh, does not afraid to be hurt.
Note that this was not a Merantau Films' movie. They have no a good safety tools and limited by time. So there were times when the move their planned was not executed well enough but those weakness were easily forgiven when we remembered how limited the fund they had.
Surprisingly, Iqbal, Ucup, and Novandy as cameraman could get the best angle most of the time. I said most. As you can see, it is easy for me to pause and take screen shot of the movie.
and Syahrul as the editor have done his job really well so all the scenes taken in several locations had successfully joined in a believable long fight sequence.
Versy (Director and Scriptwriter), Iqbal, Ucup, Novandy, and Syahrul,
believe me when I said, I seriously wait your next project.
The Martial Art Coreographer
I didn't see any fight coreographer on the credit title and while I saw some of the actors, indeed have martial arts background like Capoeira,
most of the fight scene was a 'how common people fight'. Of course, due to Udeh involvement in THE RAID, I saw some of the silat movement which probably he learnt from the project.
I can't complain, honestly. While I have too much watching Youtube demonstration of martial arts which made me lose my appetite to a lot of fight scenes in the movie, I am aware that for normal people, those scenes was good.
Of course, there are some scenes that really need to be fixed.
For example, this scenes in 11:17. Everyone can see the kick was far from the main actor's head. They should took from the other angle to remove the distance so the kick would be believable.
The other scene was in the 11:40-11:41 where Udeh ran toward a wall and flip jump backward and kick his opponents from behind.
The problem with the scene was, when it shown from the back, it was obvious that Udeh's kick didn't touch his opponents at all. Instead of taking the pictures from behind, they should take a close up between opponents' back and dummy leg. So, it is shown that the kick touch the back. This trick was used in rooftop's scenes in one of Jackie Chan's movie "WHO AM I".
Other than those two scene, I don't have problem with the other scene.
Congratulation for Udeh and his friends. I love the movie.
Title: Aku Cinta Batik (I Love Batik)
Actor:
Udeh Nans, Bimbi, Arif, Arland, Calado, Anjar, Erick, Furqon, Falah, Jaclnger, Vandamn, Eygon
Director: Versy Catur Nova
Ass. Director: Maya Puspita
Scriptwriter: Versy Catur Nova
Cameraman: Iqbal Kibo, Ucup, Novandy Pradana
Editor: Syahrul Farih
Lighting: Indra Odoy
Art Director: Havid Ali, Samid
Duration: 16 minutes 15 seconds
Aneh.. aku kok dibilang lebih dekat ama Bung Karno yah?
Konservatif esoteris moderat adalah bentuk moderat dari sistem nilai konservatif esoteris. Kuadran nilai ini merupakan bentuk adaptasi cara pandang konservatif terhadap nilai-nilai yang menjadi landasan dari cara pandang progresif. Ciri utamanya adalah penerimaan terhadap prinsip kebebasan dan kesetaraan antar individu sebagai fondasi dalam interaksi sosial. Meskipun secara natural setiap orang berbeda satu sama lain, tidak ada justifikasi moral untuk memperlakukan atau menempatkan setiap orang dalam posisi yang tidak sejajar.
Dalam soal keyakinan keagamaan, prinsip penghargaan terhadap keberagaman pemahaman menjadi pengikat dari semangat untuk hidup bersama dalam bingkai kenegaraan. Namun individu dalam sistem nilai ini juga secara implisit masih menjaga tradisinya. Nilai moral dan norma dalam masyarakat tetap dipelihara dan dihormati sambil terus berupaya dikontekstualisasikan dengan perubahan zaman. Dalam hal ini, inovasi dan pembaharuan terhadap tradisi terus dilakukan dengan tujuan agar nilai-nilai dari tradisi tetap terpelihara.
Dalam sistem nilai ini, negara tidak dipandang sebagai institusi yang mengancam kebabasan individu. Intervensi pemerintah melalui aturan-aturan yang membatasi kebebasan individu diterima dalam kerangka tanggung jawab negara untuk meningkatkan kesejahteraan, menjamin keadilan bagi setiap individu. Sistem nilai ini memberikan legitimasi moral pada paternalisme negara. Hal ini berbeda dengan sistem nilai konservatif esoteris ekstrim yang memberikan legitimasi moral pada otoritarianisme negara.
Karakteristik dari sistem nilai ini dimiliki oleh masyarakat yang memiliki kultur paternalistik yang kuat. Oleh karena itu, dalam konteks ideologi, sistem nilai ini cenderung dekat pada ideologi republikanisme sosial. Yakni, ideologi republikanisme dalam masyarakat yang paternalistik. Disebut republikan karena secara tegas menerima model negara kesatuan dan prinsip-prinsip demokrasi.
Untuk yang pengen mencoba, silakan kunjungi:
